Artist statement

As our lives become increasingly mediated by algorithms and digital platforms, I ask how these systems reshape the way we perceive ourselves, present ourselves, relate to others, and experience being human. Through sculpture, I seek to give form to these invisible forces.

Masks, hands, eyes, characters, and figurative objects become metaphors for identity, surveillance, self-demand, time, and the deeply human search for meaning.

In an increasingly digitized and automated world, I insist on working with my hands. Clay allows me to think slowly, embrace imperfection, and let time become part of the work. Its cracks, texture, and weight bear witness to a human presence.

My process combines intuition and research. Some works emerge from material accidents or unexpected associations; others begin with cultural phenomena such as filters, memes, and the viral spread of narratives and behaviours. In both cases, clay becomes a space for thinking, experimenting, and uncovering meanings through making.

Rather than illustrating concepts, I seek to create symbols that give form to the tensions of contemporary life, inviting viewers to pause, observe, recognize their own contradictions, and maybe laugh at them.